In “Image Worlds to Come: Photography & AI,” the writer Megan N. Liberty poses an interesting question to an illustrious crew of thinkers: “Is the age of oversized photobooks over?” We decided to continue this ripe conversation in the May 2025 Aperture PhotoBook Club gathering.

Jason Fulford, Kris Graves, and Carmen Winant sat down with Aperture’s executive director, Sarah Meister, to discuss some of their favorite tiny, small, and undersized photobooks, and to parse out the particular appeal of these petite publications.

Join the Club to receive news on upcoming gatherings and discounts on featured photobooks.

This conversation originally took place on May 6, 2025. Support for the 2025 Aperture PhotoBook Club is generously provided by FotoFocus.

Image: Carmen Winant, Instructional Photography (SPBH Editions, 2022)


Jason Fulford is a photographer and cofounder of the non-profit publisher J&L Books. He has lectured at more than a dozen art schools and universities and is a contributing editor to Blind Spot magazine. Fulford’s photographs have been featured in Harper’s, the New York Times Magazine, Time, Blind Spot, Aperture, and on book jackets for Don DeLillo, John Updike, Bertrand Russell, Jorge Luis Borges, Terry Eagleton, Ernest Hemingway and Richard Ford. His published books include Sunbird (2000), Crushed (2003), Raising Frogs for $$$ (2006), The Mushroom Collector (2010) and Hotel Oracle (2013).

Kris Graves is an artist and publisher based in New York and California. Graves creates artwork that deals with societal problems and aims to use art as a means to inform people about cultural issues. Using a mix of conceptual and documentary practices, Graves photographs the subtleties of societal power and its impact on the built environment. He explores how capitalism and power have shaped countries and how that can be seen and experienced in everyday life. Graves also works to elevate the representation of people of color in the fine art canon; and to create opportunities for conversation about race, representation, and urban life. He photographs to preserve memory.

Sarah Meister is executive director of Aperture. She joined Aperture in May 2021, following more than twenty-five years at the Museum of Modern Art, New York. She is the founder and host of the Aperture PhotoBook Club.

Carmen Winant is a 2019 Guggenheim fellow in photography. She has shown her work in the Museum of Modern Art (NY), Henie Onstad Kunstsenter (Oslo), Kunsthal Charlottenborg (Copenhagen), Contact Photography Festival (Toronto), Museum of Contemporary Photography (Chicago), Sculpture Center (NY), The Wexner Center for the Arts (Columbus) and other sites. Winant’s work is in the collections of the Minneapolis Institute of Art, MoMA, and Henie Onstad; it has been written about in the New Yorker, the New York Times, Artforum, Vogue, Frieze, Aperture, and Art in America.

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