Aperture 141 - Fall 1995
Cuba: Image and Imagination
Focusing primarily on the work of “island photographers”— those who continue to work in Cuba—and Cubans living in the United States (many of whom consider themselves Cuban-Americans), this issue of Aperture reflects the creative wellspring that has emerged from Cuban artists of both categories in recent years.
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Issue Details
0-89381-611-6
Fall
80 pages
9 9/16 x 11 3/8 inches
1995
1995-08-01 00:00:00
Table Of Contents
Eyes of Havana
by Antonio José Ponte, Photographs by José Azel, Mina Barcenas, Miguel Rio Branco, Tria Giovan, Janis Lewin, Humberto Mayol
Reflections on Contemporary Cuban Photography
An Interview with Juan Antonio Molina, by Wendy Watriss
Photographs by Pedro Abascal, Raœl Corrales, Arturo Cuenca, José Figueroa, Carlos Garaicoa, Gory, Marucha, José Ney, Rene Peña
Santería: An Alternative Pulse
by Elizabeth Hanly, Photographs by Maria Magdalena Campos-Pons, Tania Jovanovic, Luis Medina, Bastienne Schmidt
Zoo-Logos, or the Termites of Reduction
by Antonio Molina, Photographs by Eduardo Muñoz
Explorations: Three Portfolios
Silvia Lizama, Abelardo Morell, Marĩa Martĩnez-Cañas
Marta Mar’a Pérez: Self-Portraits of the Cosmos
by Gerardo Mosquera
Poetry of Darkness: Photographs by Juan Carlos Alom
Eleggua’s Eyes, Poem by Nancy Morejon
Los Balseros
Photographs and text by Adalberto Roque
People & Ideas:
Film review: Tomás Gutiérrez Alea’s Strawberry and Chocolate
by Frederick Kaufman
Book review: Howard Chapnick’s Truth Needs No Ally
by Richard B. Woodward
Preparing for the Venice Biennial
An interview with Bill Viola, by Melissa Harris
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