Aperture 160 - Summer 2000
Aperture 160
Portfolios and Essays from Jean-Francois Leroy and Diana C. Stoll, W. Eugene Smith and Michael L. Sand, Barbara Ehrenreich, Michael Tracy and Edward Leffingwell, Bert Teunissen, Chuck Close and Lyle Rexer, and Charles Bowden.
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Issue Details
In this, the second issue of the new Aperture, the dynamic format of the magazine is employed to explore the different ways in which our right to see is mediated.
Issue 160 includes a striking collection of images selected from the Perpignan festival of photojournalism, a discussion among members of the photographic community on W. Eugene Smith’s controversial Minamata photograph, Lyle Rexer on Chuck Close’s daguerreotypes, Roselee Goldberg on Laurie Anderson’s rhythmic eye, Edward Leffingwell on Michael Tracy’s rites of passage, Bert Teunissen’s domestic landscapes and more.
Portfolios and Essays from Jean-Francois Leroy and Diana C. Stoll, W. Eugene Smith and Michael L. Sand, Barbara Ehrenreich, Michael Tracy and Edward Leffingwell, Bert Teunissen, Chuck Close and Lyle Rexer, and Charles Bowden.
Photographs by: Letizia Battaglia, Chuck Close, Eikoh Hosoe, Mary Ellen Mark, Eugene Richards, Lise Sarfati, and Andy Warhol
Format: Paperback / softback
Number of pages: 80
Publication date: 2001-12-31
Measurements: 9.6 x 11.4 x 0.28 inches
ISBN: 9780893819255
Table Of Contents
A World Out of Balance: Necessary Truths: Jean-Francois Leroy and the Perpignan Festival of Photojournalism
by Diana C. Stoll
Latent Image: W. Eugene Smith’s Controversial Minamata Photograph
Compiled and introduced by Michael L. Sand
Dirty Laundry: Benetton’s We, on Death Row Campaign
by Barbara Ehrenreich
Michael X: Michael Tracy’s Rites of Passage
by Edward Leffingwell
Homesick: Domestic Landscapes
by Bert Teunissen
Chuck Close: Daguerreotypes
by Lyle Rexer
Blue Mist
by Charles Bowden