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Aperture 160 - Summer 2000

Aperture 160

Portfolios and Essays from Jean-Francois Leroy and Diana C. Stoll, W. Eugene Smith and Michael L. Sand, Barbara Ehrenreich, Michael Tracy and Edward Leffingwell, Bert Teunissen, Chuck Close and Lyle Rexer, and Charles Bowden.

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Issue Details

In this, the second issue of the new Aperture, the dynamic format of the magazine is employed to explore the different ways in which our right to see is mediated.

Issue 160 includes a striking collection of images selected from the Perpignan festival of photojournalism, a discussion among members of the photographic community on W. Eugene Smith’s controversial Minamata photograph, Lyle Rexer on Chuck Close’s daguerreotypes, Roselee Goldberg on Laurie Anderson’s rhythmic eye, Edward Leffingwell on Michael Tracy’s rites of passage, Bert Teunissen’s domestic landscapes and more.

Portfolios and Essays from Jean-Francois Leroy and Diana C. Stoll, W. Eugene Smith and Michael L. Sand, Barbara Ehrenreich, Michael Tracy and Edward Leffingwell, Bert Teunissen, Chuck Close and Lyle Rexer, and Charles Bowden.

Photographs by: Letizia Battaglia, Chuck Close, Eikoh Hosoe, Mary Ellen Mark, Eugene Richards, Lise Sarfati, and Andy Warhol

Format: Paperback / softback
Number of pages: 80
Publication date: 2001-12-31
Measurements: 9.6 x 11.4 x 0.28 inches
ISBN: 9780893819255


Table Of Contents

A World Out of Balance: Necessary Truths: Jean-Francois Leroy and the Perpignan Festival of Photojournalism
by Diana C. Stoll

Latent Image: W. Eugene Smith’s Controversial Minamata Photograph
Compiled and introduced by Michael L. Sand

Dirty Laundry: Benetton’s We, on Death Row Campaign
by Barbara Ehrenreich

Michael X: Michael Tracy’s Rites of Passage
by Edward Leffingwell

Homesick: Domestic Landscapes
by Bert Teunissen

Chuck Close: Daguerreotypes
by Lyle Rexer

Blue Mist
by Charles Bowden

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