Aperture 166 - Spring 2002

Aperture 166

Portfolios and Essays from Frederick Kaufman, Eudora Welty, Robert Capa and Richard Whelan, Janet Sternburg, Adrian Piper and Diana C. Stoll, Carole Naggar and Joel-Peter Witkin, and Sylvia Plachy.

Contributors
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Table Of Contents

Science of Light: The Cultural Context of Apertureโ€™s Founding
by Frederick Kaufman
Kaufmanโ€™s close look at the cultural climate in which Aperture was born fifty years ago is brought to life visually through a diverse selection of images, from Atomic detonation to the beat generation, each capturing the spirit of the times.

A High Old Time, Reynolds Price remembers Eudora Welty
Weltyโ€™s elegant portraits of everyday life in a depressed Mississippi, accompanied by Reynolds Priceโ€™s letter to the great American writer and photographer on her seventy-fifth birthday, evoke Weltyโ€™s wit and her appetite for life.

Robert Capaโ€™s Falling Soldier: A Detective Story
by Richard Whelan
Amid reports that โ€œthe greatest war photograph of all timeโ€ was, in fact, staged, Robert Capaโ€™s biographer turns detective to restore the great photojournalistโ€™s integrity, employing many of Capaโ€™s most famous works as evidence.

Windows
by Janet Sternburg
Like a visual memoir, Sternburgโ€™s color photographs of San Miguel de Allende, Mexico evoke the ghostly essence of this mountain townโ€™s past.

Adrian Piper: Goodbye to Easy Listening
Interview by Diana C. Stoll
Augmenting a selection of provocative images culled from a three-decade career, this noted conceptual artist talks about art as a vehicle for political inquiry and photography as the ideal medium to draw attention to her charged subjects.

A Word About Angels
by Carole Naggar
Naggar reveals the timely moments when angels appear in images by Joel-Peter Witkin and Sylvia Plachy, among others.

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