Aperture 166 - Spring 2002
Aperture 166
Portfolios and Essays from Frederick Kaufman, Eudora Welty, Robert Capa and Richard Whelan, Janet Sternburg, Adrian Piper and Diana C. Stoll, Carole Naggar and Joel-Peter Witkin, and Sylvia Plachy.
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Science of Light: The Cultural Context of Apertureโs Founding
by Frederick Kaufman
Kaufmanโs close look at the cultural climate in which Aperture was born fifty years ago is brought to life visually through a diverse selection of images, from Atomic detonation to the beat generation, each capturing the spirit of the times.
A High Old Time, Reynolds Price remembers Eudora Welty
Weltyโs elegant portraits of everyday life in a depressed Mississippi, accompanied by Reynolds Priceโs letter to the great American writer and photographer on her seventy-fifth birthday, evoke Weltyโs wit and her appetite for life.
Robert Capaโs Falling Soldier: A Detective Story
by Richard Whelan
Amid reports that โthe greatest war photograph of all timeโ was, in fact, staged, Robert Capaโs biographer turns detective to restore the great photojournalistโs integrity, employing many of Capaโs most famous works as evidence.
Windows
by Janet Sternburg
Like a visual memoir, Sternburgโs color photographs of San Miguel de Allende, Mexico evoke the ghostly essence of this mountain townโs past.
Adrian Piper: Goodbye to Easy Listening
Interview by Diana C. Stoll
Augmenting a selection of provocative images culled from a three-decade career, this noted conceptual artist talks about art as a vehicle for political inquiry and photography as the ideal medium to draw attention to her charged subjects.
A Word About Angels
by Carole Naggar
Naggar reveals the timely moments when angels appear in images by Joel-Peter Witkin and Sylvia Plachy, among others.