Aperture 179 - Summer 2005

Aperture 179

Portfolios and Essays from Neeta Madahar and Carlo McCormick, Hazel Larsen Archer and David Vaughan, Lyle Rexer and Jason Oddy, Charlotte Cotton and Martina Mullaney, Antonin Kratochvil and Michael Persson, Kerry Skarbakka and Wayne Koestenbaum, Martin Parr and Mark Haworth-Booth.

Contributors
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Table Of Contents

Neeta Madaharโ€™s Ornithology
by Carlo McCormick
Madaharโ€™s wondrous images of birds perched near her window reveal a tenuous balance between artifice and truth in natureโ€™s domestic life.

Motion Studies: Hazel Larsen Archer At Black Mountain College
by David Vaughan
Archerโ€™s extraordinary photographs of Merce Cunningham dancing are both lyrical and rigorously formal. Here Vaughan discusses the life of their creator, and the unique context in which they originated.

Outside the Law: Inside Guantanamo
by Lyle Rexer
Photographs by Jason Oddy
The U.S. military base at Guantanamo Bay, Cuba, is a place the world hears a lot about, but rarely sees. Oddyโ€™s photographs provide a rare glimpse of this site that is at the center of the โ€œglobal war on terrorโ€ and much controversy.

Strange Bedfellows
by Charlotte Cotton
Photographs by Martina Mullaney
Mullaneyโ€™s Turn In series, focusing on the worn beds at homeless shelters, rouses the elemental and universal human preoccupation with loneliness.

Surveillance: Photographs by Antonรญn Kratochvรญl
Essay by Michael Persson
In Apertureโ€™s second commissioned photographic feature, Kratochvรญl, with his signature expressionistic style, captures the unseen: that pervasive sense of anxiety that permeates post- 9/11 America.

Kerry Skarbakka: Falling
by Wayne Koestenbaum
Koestenbaum engages Skarbakkaโ€™s series of dizzying images, to explore all the permutations of falling.

Unpacking My Library: A Talk About Photography Books
Martin Parr interviewed by Mark Haworth-Booth
Haworth-Booth and Parr discuss photographyโ€™s relationship to books, as well as Parrโ€™s insatiable appetite for collecting all manner of photo-related ephemera.

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