Priya Suresh Kambli works with pictures of her family in India and the US, making connections between past and present.
Ishan Tankha’s images of Maoist rebels show the unseen side of the insurgent movement in Chhattisgarh, affirming a measure of humanity for Indian citizens fighting for their land.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.