By using a copier to reproduce other artists’ photographs, Aaron Stern raises questions about authorship, circulation, and the persistence of the printed image.
Emma Ressel’s dioramas question our relationship to animals and the environment in an era of climate anxiety.
A visit to North Carolina influenced the photographer’s ideas about the power of family.
Ziyu Wang’s playful portraits parody the social expectations of masculinity and what a “man” should look like.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.