Sample Page | Aperture

The artist reflects on how ideas of history, identity, and power have always informed her acclaimed photography.

In Tamil Nadu, Gayatri Ganju photographed the Indigenous Kurumba people and listened to their stories—and was allowed to take one out into to the world.

Here are the shortlisted artists for Aperture’s annual award, which aims to spotlight new talent in contemporary photography.

In the wooded enclaves of Northern California, Michael Schmelling documents what’s left of the 1960s back-to-the-land movement.

In the drylands of Balochistan, a photographer chronicles the art of everyday survival.

The Italian photographer and Renaissance man channels his training as an architect, painter, and draughtsman into quiet studies of European towns and landscapes.

The Paris-based duo talks about what inspires them, from August Sander to scooter riders in Hanoi.

A new book of essays by a crucial figure of Japan’s Provoke movement shows how Nakahira relentlessly interrogated photography’s relationship to power.

Forty years after a formative stay in South Beach, Pierson returns to Miami for an exhibition of his photographs and paintings—and recreates the bed he once slept in.

In the 1970s, Eggleston’s pictures were called “perfectly banal.” Fifty years later, the intensity of color in his dye-transfer prints is rarified and precise.

By supporting local photographers and developing ethical guidelines, The Minnesota Star Tribune is setting a visual standard for reporting on ICE.

From her suburban Cape Town studio, Jo Ractliffe reflects on a career spent documenting the aftermath of violence.

Editor in Chief Michael Famighetti speaks with the newly appointed development director Jenn Hyland on what inspires her work at Aperture.

Inuuteq Storch’s intimate photographs of village life near the Arctic Circle navigate the complexities of Inuit traditions and Danish colonial influence.

Blending fashion and art, Sophia El Bahja’s photographs showcase the diversity of Morocco.

By using a copier to reproduce other artists’ photographs, Aaron Stern raises questions about authorship, circulation, and the persistence of the printed image.