What do modern masterworks look like in black and white?
In his new body of work, the experimental photographer uses Flint’s contaminated tap water to create daring abstractions with a political edge.
On the occasion of the forthcoming paperback edition, Lyle Rexer discusses The Edge of Vision four years later.
Bill Armstrong discusses his work Mandala #450 within the context his Infinity series of abstract, blurred images.
Excerpt from an event held at Aperture Gallery on March 18, 2013.
Two short excerpts from MoMA curator Eva Respini’s conversation with photographer James Welling in the artist’s new Aperture book.
Aperture’s fall issue, “Arrhythmic Mythic Ra,” refracts themes of family, social history, and the astrophysical through the eyes of guest editor Deana Lawson, one of the most compelling photographers working today.
