What do modern masterworks look like in black and white?
In his new body of work, the experimental photographer uses Flint’s contaminated tap water to create daring abstractions with a political edge.
On the occasion of the forthcoming paperback edition, Lyle Rexer discusses The Edge of Vision four years later.
Bill Armstrong discusses his work Mandala #450 within the context his Infinity series of abstract, blurred images.
Excerpt from an event held at Aperture Gallery on March 18, 2013.
Two short excerpts from MoMA curator Eva Respini’s conversation with photographer James Welling in the artist’s new Aperture book.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.