Can photography be a form of play? The recent Foto/Industria Biennale shows how improvisation and mugging for the camera are as old as the medium.
Thomas Ruff: photograms and m.a.r.s. is on view March 28–April 27 in New York.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.