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Vince Aletti, Richard Meyer, and Catherine Opie reflect on the term queer and its relationship with photography
Why an issue on queer photography? The editors on our Spring 2015 issue, exploring queer perspectives on photography.
Moyra Davey speaks about her practice of interlacing photography with literature.
Two critics speak about how good writing on images begins with an urge to “keep looking.”
Aperture magazine hosted a night of photography and literature at the National Arts Club.
Nat Trotman on Erica Baum, whose work investigates the tradition of print and the objectification of language.
Marketa Uhlirova on fashion films that push the boundaries of photography.
Guest editors Inez & Vinoodh on some of fashion photography’s giants whose work has influenced theirs.
Phil Bicker on the pioneering fashion magazines that have fostered the careers of many major photographers and stylists.
Emmanuelle Alt, editor-in-chief of Vogue Paris speaks with Penny Martin for Aperture magazine #216, “Fashion.”
Aperture’s Melissa Harris remembers the life of writer Charles Bowden and his immeasurable contributions to Aperture.
From the Fall 2014 issue of Aperture Magazine, #216, “Fashion”, guest-editors Inez & Vinoodh.
A piece by Charles Bowden, originally published in Aperture magazine issue #205 on the beauty and dangers of primal appetites.
The story of Hercule Florence, who invented an early form of photography in Brazil while studying the Amazon’s birdsong.
Agnaldo Farias on Bárbara Wagner, featured in Aperture magazine issue #215, “The São Paulo Issue”
Leo Rubinfien and Philip Lorca diCorcia revisit the Garry Winogrand archive.
Aperture magazine “The Sao Paulo Issue” contributors discuss Brazilian photography at Aperture gallery.
Ronaldo Entler maps a selection of some of the most important photography collectives working in the city of São Paulo for Aperture Magazine #215.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.