Mitch Epstein discusses Standing Rock, the American flag, and the moment he saw Mount Rushmore cry.
An artist investigates the aesthetics of surveillance at home and on the U.S.-Mexico Border.
Is the U.S.-Mexico border a political calculation or a humanitarian crisis?
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.