From William Eggleston’s “Last Dyes” to Nan Goldin’s “Ballad,” here are this season’s must-see photography shows around the world.
Throughout his career, the irreverent Ukrainian photographer has flirted with conceptual and documentary traditions to subvert Soviet-era visual codes.
Aperture magazine’s editors on our Fall 2015 issue and its nine in-depth interviews.
Isabel Stevens reviews Everything Was Moving: Photography from the 60s and 70s at the Barbican Art Gallery, London.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.