Brian Dillon considers the diverse, eccentric collection of photography at London’s Archive of Modern Conflict.
Brian Dillon considers perspective, observation, and enlightenment found at the periphery.
The artists engage the medium’s urge to extract generic meaning from knotty specifics.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.