The Los Angeles–based photographer Zoe Crosher has had quite a big year. Carmen Winant spoke with the artist about her work.
An interview with David Galjaard, winner of the 2012 First PhotoBook Award for Concresco.
Independent curator Daniel M. Leers reports on the First National Bank Johannesburg Art Fair.
Writer and curator Amanda Hopkinson guides us through the pioneering reinvention of the Fotohof photography gallery which opened in Salzburg, Austria, February 2012.
From Aperture 198: Anders Petersen and JH Engström discuss the work that would become Petersen’s City Diary.
From Aperture 209: Tim Davis considers the photographic history of American housing.
Soth speaks with Aperture Remix curator Lesley A. Martin about infuences on his work.
Aperture has hired the London-based graphic design team A2/SW/HK (Scott Williams and Henrik Kubel) to redesign the magazine.
Artist Brian Bress speaks with Carmen Winant about his work.
Our choice of the best in online photography news and commentary.
A collection of classic Aperture magazine covers, looking at the magazine’s conception and evolution as a forum for photography.
The curator Britt Salvesen speaks about her background and her new job at LACMA with Sabine Mirlesse.
Melissa Harris talks with Richard Misrach and Kate Orff about the process of depicting and unpacking the complex ecologies featured in Petrochemical America.
Vicki Goldberg reviews two exhibitions at the Addison Gallery in Andover, Massachusetts.
An interview with Paris-based independent lecturer, curator, and art critic Simon Njami.
The fall season descends on New York with exciting new exhibitions.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.