Beginning in the late 1930s, Van Leo made hundreds of dazzling and uncanny self-portraits. What does his archive tell us about the mysteries of identity?
Mahmoud Khaled considers the legacy of the “Cairo 52,” the men who were arrested in 2001 at a gay-friendly nightclub.
On the rooftops of Egypt’s capital, photographers reclaim the urban landscape.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.