From the Dada movement to today, photographers have used collage to critique, challenge, provoke—and invent their own feminist futures.
In the 1970s, Meadow Muska documented the feminist collectives that offered a new definition of home for hundreds of women.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.