Gillian Wearing

Latest Stories

Gillian Wearing, Me: Me, 1991

Gillian Wearing Channels a Spiritual History of Photography

In her first major US retrospective, the acclaimed British artist reveals the breadth of her ambition, charting a far-reaching constellation of ideas about social identity and gender performance.

A Portrait of the Artist as Claude Cahun

Ahead of her new exhibition in London, Gillian Wearing speaks about Claude Cahun, self-portraiture, and feminist icons.

In Performance

Vicki Goldberg reviews two exhibitions at the Addison Gallery in Andover, Massachusetts.

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Aperture No. 257

Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.

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