In her first major US retrospective, the acclaimed British artist reveals the breadth of her ambition, charting a far-reaching constellation of ideas about social identity and gender performance.
Ahead of her new exhibition in London, Gillian Wearing speaks about Claude Cahun, self-portraiture, and feminist icons.
Vicki Goldberg reviews two exhibitions at the Addison Gallery in Andover, Massachusetts.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.