Isabel Stevens

Latest Stories

After the Avant-Garde

How has feminist photography changed since the 1970s?

Lee Miller: A Woman’s War

From the London Blitz to Hitler’s apartment, Lee Miller captured some of the most audacious images of World War II.

Subversive Desires

Isabel Stevens on Whitechapel Gallery’s retrospective exhibition of Dadaist artist Hannah Höch, on view through March 23, 2014.

Pictures in Motion

Isabel Stevens reviews Still: American Silent Motion Picture Photography, David S. Shields’s survey of American photography from cinema’s silent era.

Dayanita Singh: File Museum

Isabel Stevens reviews Dayanita Singh: File Museum, an exhibition of a new work at Frith Street Gallery, London.

Everything Was Moving: Photography from the 60s and 70s

Isabel Stevens reviews Everything Was Moving: Photography from the 60s and 70s at the Barbican Art Gallery, London.

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Aperture No. 257

Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.

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