How has feminist photography changed since the 1970s?
From the London Blitz to Hitler’s apartment, Lee Miller captured some of the most audacious images of World War II.
Isabel Stevens on Whitechapel Gallery’s retrospective exhibition of Dadaist artist Hannah Höch, on view through March 23, 2014.
Isabel Stevens reviews Still: American Silent Motion Picture Photography, David S. Shields’s survey of American photography from cinema’s silent era.
Isabel Stevens reviews Dayanita Singh: File Museum, an exhibition of a new work at Frith Street Gallery, London.
Isabel Stevens reviews Everything Was Moving: Photography from the 60s and 70s at the Barbican Art Gallery, London.
Aperture’s fall issue, “Arrhythmic Mythic Ra,” refracts themes of family, social history, and the astrophysical through the eyes of guest editor Deana Lawson, one of the most compelling photographers working today.
