An exhibition at the Getty deconstructs an identity crisis in contemporary photography.
Spanning over eighty years of photographs, an exhibition explores the gender non-conforming potential of the word “they.”
Pablo Ortiz Monasterio discusses the process of selecting and sequencing photographs to tell a history of Mexico.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.