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Latest Stories

Doug DuBois on Chris Killip In Flagrante Two

My first encounter with In Flagrante (1988) was in San Francisco, where the year it was released…

Vicki Goldberg on Darcy Grimaldo Grigsby, Enduring Truths: Sojourner’s Shadows and Substance

In 1826 a thirty-year-old slave escapes captivity becoming a legally free, outspoken and effective supporter of the abolitionist cause.

Eugénie Shinkle on Adam Broomberg and Oliver Chanarin Spirit is a Bone

The images in Adam Broomberg and Oliver Chanarin’s Spirit is a Bone were made using advanced facial…

Andrew Stefan Weiner on Marcel Broodthaers Musée d ’Art Moderne, Département des Aigles, Section Publicité

The Belgian artist Marcel Broodthaers has long suffered from a bifurcated reception: while his work has been…

Kristen Lubben on Zoe Leonard and Cheryl Dunye The Fae Richards Photo Archive

Kristen Lubben reflects on a collection of glamour shots, stills from movie sets, photobooth portraits, family snapshots, and typewritten captions which make up a fictional archive.

The PhotoBook and the Archive

In what ways is the photobook a useful framing device for archival projects?

Marco Breuer on Mike Mandel and Larry Sultan's Evidence

Photographer Macro Breuer reflects on the lasting images in Evidence for The PhotoBook Review 010

Editor's Note

My bookshelves are a repository that’s both retrospective and forward-looking. They represent numerous journeys I’ve already taken…

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Aperture No. 260

An essential look at the vital photography scene of South Korea’s capital.

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