An early staff member of Aperture in the 1950s, the eminent historian and curator was a guiding light in the medium for over sixty-five years.
Mary Statzer on Peter Bunnell’s 1970 MoMA exhibition, Photography into Sculpture.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.