You may have to develop your own technology for your images. I’m not much interested in “straight” photography anymore.
Aperture speaks with Galjaard about photographing in Albania, the design process, and self-publishing his first book.
Melissa Harris talks with Richard Misrach and Kate Orff about the process of depicting and unpacking the complex ecologies featured in Petrochemical America.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.