Winner of the 2024 Aperture Portfolio Prize, Pearce maps the interplay between time and the body.
In the Bolivian Andes, River Claure reckons with colonial history.
When she inherited her grandmother’s photographs, Ireland discovered how image making is an act of self-preservation.
Abhishek Khedekar pays tribute to a photographer whose images permeated everyday life.
A visit to North Carolina influenced the photographer’s ideas about the power of family.
Here are the shortlisted artists for Aperture’s annual award, which aims to spotlight new talent in contemporary photography.
Mixing archival images with contemporary snapshots, Gloria Oyarzabal examines the effects of colonialism and the follies of white feminism in West Africa.
Mark McKnight’s black-and-white images of bodies and landscapes challenge Eurocentric ideas about male beauty—and aim to make “straight” photography a little less straight.
In her lyrical, dreamlike images, Teresa Eng asks—what does modern China look like to a child of the Chinese diaspora?
In the age of fake news, Jack Latham investigates the secret society that has inspired conspiracy theories, protests, and attacks since its founding days in 1872.
Zora J Murff evaluates the fallout of prejudicial housing policies within the larger narrative of violence perpetrated against African Americans.
Reclaiming domestic space through installations in his parents’ home, Guanyu Xu explores queer identity and censorship across China and the US.
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Presenting the five finalists for the 2018 Aperture Portfolio Prize, an international photography competition.
Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.