Sandra Phillips

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Joel Meyerowitz, Roseville Cottages, 1976

A Sweeping Reconsideration of Photography and Land Use in America

In an eloquent new photobook, Sandra S. Phillips looks at the intertwined histories of colonialism and the built environment across the United States.

At San Francisco’s Museum of Modern Art, a New Frontier for Photography

Curator Sandra Phillips previews SFMOMA’s Pritzker Center, the largest space for photography in an American museum.

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Aperture No. 260

An essential look at the vital photography scene of South Korea’s capital.

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