Frazier speaks about the photographic legacy of the civil rights era—and being a witness to our time.
How do Bruce Davidson’s photographs of the Selma march in 1965 find their echo in the modern debate over voter ID laws?
Aperture’s fall issue, “Arrhythmic Mythic Ra,” refracts themes of family, social history, and the astrophysical through the eyes of guest editor Deana Lawson, one of the most compelling photographers working today.
