Frazier speaks about the photographic legacy of the civil rights era—and being a witness to our time.
How do Bruce Davidson’s photographs of the Selma march in 1965 find their echo in the modern debate over voter ID laws?
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.