From “Documentary, Expanded”, Stephen Mayes reflects on documentary photography’s radically shifting terrain.
In the wake of Tuesday’s New York Post cover, a discussion on NPR considered the ethics of documenting tragedy.
A panel at the Aperture Gallery, moderated by Stephen Mayes, discussing the ethical dimensions of conflict photojournalism.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.