Photographer and writer Terry Kurgan’s recent book considers images, memory, and the reverberations of World War II.
The photobook is a space of creative potential—and a dedicated site of action.
The question of what makes a photobook “feminist” is entangled with all sorts of creative decisions, as well as worldly ones.
Dana Lixenberg revisits her portraits of pop-culture icons and everyday citizens.
April Dawn Alison made thousands of pictures focusing on a single subject—herself. But, who was she?
From Gerda Taro to Susan Meiselas, a new book examines the ways eight women have expanded the field of war photography.
Carmen Winant on feminism, photobooks, and the radical gestures of world-building.
Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.