Sabiha Çimen’s photobook “Hafiz” portrays the world of Turkey’s single-sex Koran schools, where girls are tough, disciplined, and playful.
In Turkey, Serbest Salih runs a mobile darkroom where kids—often refugees affected by war—learn the basics of developing their black-and-white photos.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.