Natalie Keyssar speaks about her powerful, yet devastating photographs from Ukraine—and the essential need for photography in a moment of crisis.
From Gerda Taro to Susan Meiselas, a new book examines the ways eight women have expanded the field of war photography.
From the Troubles in Northern Ireland to the wars in Southeast Asia, McCullin’s images defined the conflicts of the twentieth century.
The celebrated photojournalist James Nachtwey has covered global conflicts for four decades. But in his current retrospective, politics is an afterthought.
In the age of drone strikes and nuclear threats, artists challenge expectations of photographing conflict.
David Shields’s War Is Beautiful critiques sixty-four photographs of war that ran on the front page of the Times between 1997 and 2013.
A new exhibition at Tate Modern, London, presents photographs of war arranged by how soon after the event the photograph was made.
At the Brooklyn Brewery, a group of photographers and reporters explored why they report on war.
Vicki Goldberg reviews War/Photography: Images of Armed Conflict and Its Aftermath by Anne Wilkes Tucker and Will Michels with Natalie Zelt.
Susie Linfield reviews Memory of Fire, a new collection of essays and interviews edited by Julian Stallabrass. Updated July 24 with an exchange of letters between the authors.
The Turkish photographer wins with a documentary series focused on the ongoing impact of Syria’s civil war.
Our choice of the best in online photography news and commentary.
A brief summary in images and tweets of a discussion on the ethics of conflict photojournalism.
Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.