A reissue of “NEUF”—which championed Henri Cartier-Bresson, Robert Frank, and Brassaï—shows why Robert Delpire’s midcentury publication remains an icon of the printed page.
A striking exhibition in Paris revisits the treasures and dreams hidden beneath the German artist’s unorthodox photographs.
Images of Conviction: The Construction of Visual Evidence presents ten case studies that demonstrate how photography and video have functioned in the evidence of death.
From Aperture magazine #213, Carole Naggar discusses the Roquette Rockers series by photographer Ken Pate.
Aperture’s fall issue, “Arrhythmic Mythic Ra,” refracts themes of family, social history, and the astrophysical through the eyes of guest editor Deana Lawson, one of the most compelling photographers working today.
