Delphine Sims

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Remembering Nona Faustine’s Powerful Self-Portraits

Faustine’s photography was a love letter to New York—and a fierce assertion of Black presence in public spaces and collective history.
James O. Mitchell, Diane di Prima, 1958

A Long Overdue Look at James O. Mitchell’s Expressive and Evocative Portraits

A prolific chronicler of the Beat Generation writers in New York and San Francisco, Mitchell also photographed Harlem street scenes and Black beauty shops. Why has his impressive body of work remained unknown?

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Aperture Magazine No. 261, “The Craft Issue” Cover
Aperture Magazine

Aperture No. 261

Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.

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