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From W. Eugene Smith to Dorothea Lange, photography in the 1950s and ’60s was alive with the tensions between record and metaphor.
The Soviet-era Czech Surrealist responded to totalitarian rule with an austere but rebellious sense of humor.
Aperture’s fall issue, “Arrhythmic Mythic Ra,” refracts themes of family, social history, and the astrophysical through the eyes of guest editor Deana Lawson, one of the most compelling photographers working today.
