Syjuco’s rigorous photographs show how interrogating institutional collections can be a potent tool in decolonizing American history.
From the Dada movement to today, photographers have used collage to critique, challenge, provoke—and invent their own feminist futures.
As millions file for unemployment, a large-scale exhibition explores the meanings of workwear.
How did an early 1990s exhibition anticipate the transformation of family life in the U.S.?
Along the coast of South Africa, Thirza Schaap collects discarded bottles and shopping bags to create fanciful sculptures.
Hannah Starkey’s cinematic, psychologically astute portraits define the contemporary flaneuse.
In her recent photography, Mona Kuhn evokes LA’s iconic architecture and landscapes.
Aperture’s fall issue, “Arrhythmic Mythic Ra,” refracts themes of family, social history, and the astrophysical through the eyes of guest editor Deana Lawson, one of the most compelling photographers working today.
