Tyler Mitchell: Wish This Was Real (signed edition)

The definitive early-career survey of one of the most compelling photographers of his generation.

Tyler Mitchell’s photography is animated by dreams of paradise and joy against the backdrop of history. Since his rise to prominence in the worlds of art and fashion, Mitchell has created images of beauty, utopia, and the American landscape that expand the imaginary of Blackness in the twenty-first century. Wish This Was Real is the definitive early-career survey of Mitchell’s work, offering a comprehensive look into the subjects driving his artistic practice, from his genre-bending portraits made in the United States, Europe, and West Africa to his photographs printed on diaphanous fabrics and sculptures that reference Black intellectual heritage. Presenting new perspectives by leading writers on his long-standing themes of self-determination and the extraordinary radiance of the everyday, Wish This Was Real shows how photography can be rooted in a collective past while evoking imagined futures.

Format: Paperback / softback
Number of pages: 272
Number of images: 168
Publication date: 2025-09-02
Measurements: 8.3 x 10.8 x 1 inches
ISBN: 9781683952718

Tyler Mitchell (born in Atlanta, 1995) is a Brooklyn-based artist, photographer, and filmmaker. He received a BFA in film and television from New York University Tisch School of the Arts in 2017. Mitchell’s work is held in private and public collections and has been published widely in magazines, including Aperture, Dazed, i-D, Interview, M le magazine du Monde, Vanity Fair, Vogue, W, WSJ Magazine, and ZEITmagazin. His work is in numerous private and public collections, including the Museum of Modern Art, Studio Museum in Harlem, and Brooklyn Museum, all in New York; National Portrait Gallery, Washington, DC; Los Angeles County Museum of Art; High Museum of Art, Atlanta; and National Portrait Gallery, London. In 2018, Mitchell was commissioned to photograph Beyoncé for Vogue, making history, at the age of twenty-three, as the first Black photographer to shoot the magazine’s cover. Mitchell’s first solo exhibition, I Can Make You Feel Good (2019–20), was presented at Foam, Amsterdam, and at the International Center of Photography, New York. He is the photographer of the catalog for Superfine: Tailoring Black Style, the Costume Institute’s spring 2025 exhibition at the Metropolitan Museum of Art, New York. His solo exhibition Wish This Was Real (2024–26) opened at C/O Berlin in 2024 and toured to the Finnish Museum of Photography, Helsinki; Photo Elysée, Lausanne, Switzerland; Maison Européenne de la Photographie, Paris; and Foto Arsenal Wien, Vienna.

Anna Wintour is the editor in chief of Vogue and the global chief content officer of Condé Nast.

Sophie Cavoulacos is associate curator in the Department of Film at the Museum of Modern Art, New York.

Brendan Embser is senior editor at Aperture and the cocurator of Tyler Mitchell: Wish This Was Real.

Rashid Johnson is an artist based in New York. His solo exhibition A Poem for Deep Thinkers will be presented by the Solomon R. Guggenheim Museum, New York, in 2025.

Robin Coste Lewis is a poet and author of Voyage of the Sable Venus (2015), which won the National Book Award for Poetry, and To the Realization of Perfect Helplessness (2022).

Sarah Lewis is the John L. Loeb Associate Professor of the Humanities and associate professor of African and African American studies at Harvard University and the founder of Vision & Justice. She is an award-winning art and cultural historian whose books and edited volumes include The Rise (2014), the “Vision & Justice” issue of Aperture magazine (2016), Carrie Mae Weems (2021), The Unseen Truth (2024), and Vision & Justice (2025).

Drew Sawyer is an art historian and the Sondra Gilman Curator of Photography at the Whitney Museum of American Art, New York.

Rachel Tashjian is a fashion writer for The Washington Post.

Salamishah Tillet is a professor of African American studies and creative writing at Rutgers University–Newark and a contributing critic at large for The New York Times. She won the Pulitzer Prize for Criticism in 2022.