Aperture Magazine

Latest Stories

Keith Lamont Scott and the Legacy of Police Violence

A photograph of a bloody hand on a police shield underscores the ongoing struggle for African American citizenship.

Don't Touch Our Hair

In protest of policing black women and girls’ hair, Solange’s album cover image is a powerful assertion of ownership.

Separate Cars on the Open Road

Amid the fight for desegregation, a revelatory portrait by Robert Frank conveys the freedom of travel.

In California, Trees as Witness and Living Memorial

Elizabeth Huber reflects on Ken Gonzales-Day and the history of lynching in California.

Racial Innocence in Postwar America

Maia Silber reflects on photographer Gordon Parks, the infamous “doll tests” of the 1940s, and segregation.

The Cotton Bowl and the Super Bowl

Merging football with twentieth-century sharecropping, Hank Willis Thomas traces the commodification of black bodies.

Envisioning the Right to Vote

How do Bruce Davidson’s photographs of the Selma march in 1965 find their echo in the modern debate over voter ID laws?

On Record: RoseLee Goldberg and Roxana Marcoci in Conversation

Performances are ephemeral; photographs are permanent. When is an image more than a mere document? How do images bring us closer to an event we never witnessed?

On Venice ’79

From Redux, Aperture magazine’s regular column on rediscovered books and writings, we look at the catalogue that accompanied a one-time, photography-only biennial.

Nobuyoshi Araki's Polaroids

Nobuyoshi Araki’s Polaroid collages of nudes juxtaposed with flora is one of the Tokyo-based photographer’s latest projects, which appeared in Aperture magazine #219.

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