An excerpt from a portfolio in Aperture magazine #219, Summer 2015, “Tokyo.”
In the new issue of Aperture magazine, Tokyo-based curator Ivan Vartanian offers a look through the pages of the popular magazines of the ’60s, ’70s, and ’80s.
Aperture magazine’s editors on our Summer 2015 issue and the vast photography landscape in Tokyo.
For Aperture’s Summer 2015 issue, the editors asked Frazier to discuss readings and works of art that have informed her thinking.
A conversation with the Johannesburg-based photographer about photography and activism, her latest series, Black Beauties, and her influences.
Vince Aletti, Richard Meyer, and Catherine Opie reflect on the term queer and its relationship with photography
Why an issue on queer photography? The editors on our Spring 2015 issue, exploring queer perspectives on photography.
Moyra Davey speaks about her practice of interlacing photography with literature.
Writer and curator Kevin Moore on Aperture‘s founding editor Minor White’s convoluted relationship with photography and sexuality.
David Campany on the writers that informed the work of Walker Evans.
An online-only story for Aperture magazine #217, Winter 2014, “Lit,” on Chris Marker’s travel book series.
Nat Trotman on Erica Baum, whose work investigates the tradition of print and the objectification of language.
Editors’ Note from the Winter 2014 issue of Aperture magazine, #217, “Lit.”
A conversation with Karl Lagerfeld on fashion and photography, from Aperture magazine issue #122.
Marketa Uhlirova on fashion films that push the boundaries of photography.
Guest editors Inez & Vinoodh on some of fashion photography’s giants whose work has influenced theirs.
Phil Bicker on the pioneering fashion magazines that have fostered the careers of many major photographers and stylists.
Emmanuelle Alt, editor-in-chief of Vogue Paris speaks with Penny Martin for Aperture magazine #216, “Fashion.”
Aperture’s fall issue, “Arrhythmic Mythic Ra,” refracts themes of family, social history, and the astrophysical through the eyes of guest editor Deana Lawson, one of the most compelling photographers working today.
