Carrie Mae Weems’s feminist vision has never been more timely.
In search of the late Malick Sidibé and the rhythmic roots of his legendary photographs.
A profile of the pioneering artist and his passion for music.
Catherine Gund, Shola Lynch, and Franklin Leonard discuss pioneers of cinema, African American archives, and the definitive films about black experience.
In America’s sprawling correctional system, how do prisoners and their families represent themselves though photography?
Vince Aletti recalls Tomorrow’s Man, Peter Hujar, James Dean, and the thrill of discovering queer pictures.
Five voices from the fields of theater, photography, and art history to reflect on one of Carrie Mae Weems’s most iconic projects.
In 1958, Inge Morath set out to document the cultures of Central and Eastern Europe. Spanning four decades, her monumental project was the quest of a lifetime.
In exploring the lives of others, what are the virtues of an outsider’s position?
In conjunction with the recent “Odyssey” issue of Aperture magazine, Fred Ritchin examines photography of the refugee crisis.
No matter the topic—beauty, family, politics, power—the quest for a legacy of photographic representation of African Americans has been about vision and justice.
Vittorio Sella combined his passions of photography and mountaineering to capture the elevated beauty of the world’s most inhospitable places.
Since 2009, a photography collective has embarked on five road trips across West and Central Africa, creating a kaleidoscopic portrait of everyday life.
A new exhibition at Tate Modern explores how performance artists use photography – and how photography is a performance itself.
The Met has mounted its first-ever exhibition of West African photographs. But is the museum late to the party?
Stanley Wolukau-Wanambwa considers photobooks and representations of Africa.
Krakow Photomonth has grown from a rather rambunctious upstart into one of the most ambitious photography festivals. This year’s edition revolved elegantly around conflict.
Letters from Sally Mann to Melissa Harris, editor-in-chief of Aperture Foundation, about her portraits and her process, originally published as an interview in Aperture #138.
Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.