Ahead of his commission for Aperture, the French photographer previews a new project exploring the mythologies of real estate.
In France and West Africa, an Ivorian photographer chronicles the ruins of modernist architecture and national memorials.
A Swiss-Guinean artist takes photography to the farthest reaches of glamour.
As a preview of the upcoming Summer issue, two groundbreaking filmmakers speak about diversity and inclusion in Hollywood–now a national conversation.
As a preview of the upcoming Summer issue, Sarah Lewis and Dagmawi Woubshet speak with a visionary filmmaker who explores African and African American narratives.
In the Spring 2016 issue of Aperture, Simon speaks with Kate Fowle about her ongoing project Black Square.
A young photographer reports on the odyssey of our time.
A Greek photographer’s account of religious communities in Athens reveals a new vision of multicultural Europe.
For Aperture’s recent “Interview” Issue, novelist and critic Francine Prose met with Rosalind Fox Solomon last April at her Manhattan home.
An award-winning exhibition catalogue examines the power of photography in representing crime, war, and acts of violence.
In an exhibition inspired by Man Ray’s “Dust Breeding,” David Campany charts the strange career of a surrealist photograph.
Curator Yasufumi Nakamori discusses his game-changing show of Japanese photography with Aperture magazine editor Michael Famighetti.
David Shields’s War Is Beautiful critiques sixty-four photographs of war that ran on the front page of the Times between 1997 and 2013.
Here, in an excerpt from the book, Aperture Foundation’s executive director Chris Boot speaks with Kubota about his beginnings as a photographer.
San Francisco’s Pier 24 Photography recently opened Paul Graham’s exhibition The Whiteness of the Whale, the venue’s first-ever presentation of a single artist.
From the Summer 2009 issue of Aperture magazine, Don McCullin speaks about his experience documenting war and conflict with Fred Ritchin.
The following conversation between Aperture Foundation editor-in-chief, Melissa Harris, and Richard Misrach was recorded at his California studio in March 1992.
Curators Sarah Meister, who focused on Horacio Coppola, and Roxana Marcoci, who researched Grete Stern, offer comments and insights into key works in the exhibition.
The spring 2024 issue, “Counter Histories,” is produced in collaboration with Magnum Foundation and features photographers from around the world who reframe complex histories.
