Photography has a new home in New York. Come visit us at 380 Columbus Avenue!
The iconic actress and legendary photographer talk about cameras, color, and what it means to be a woman in the arts.
After years traversing the U.S. together in a van, the photographer and her son sit down for a candid interview.
Challenging mainstream representations of Native Americans, Wendy Red Star photographs her Crow culture, on her own terms.
Judith Joy Ross reflects on her portraits from opposing ends of the political spectrum.
In his latest series, Mitch Epstein reveals the natural world within the urban grid.
The inventive photographer and publisher speaks about his latest book project.
Emilia van Lynden previews the Unseen Photo Festival, opening September 16.
Karen Hellman, curator of the new exhibition Real/Ideal, speaks about the French photographers who pioneered realism.
A conversation with Stuart Smith, the prolific London-based photobook designer and editor.
Exploring the rituals and communities of African descendants in Cuba, a photographer reveals their solidarity and resistance to oppression.
The curator of the London gallery Autograph ABP discusses the intersections between photography, human rights, and identity politics.
Laura Israel, director of Don’t Blink–Robert Frank, speaks about the photographer’s life and work.
A photographer connects leaders of the civil rights movement to the young activists working today.
One year after the church shooting in Charleston, South Carolina, a photographer speaks about her powerful portraits of the victims’ families.
How has the death of a transgender African American teenager changed the debate around justice in the United States?
Known for building his own cameras, John Chiara speaks about transforming New York into a colorful, otherworldly landscape.
The legendary street photographer speaks about his impulse to record African American life.
The artist explores place, perception, and the lure of artificial environments.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.