Ellsworth Kelly, the Guerilla Girls, and the Italian coast. Here are the must-see photography exhibitions in New York this spring.
In a new documentary, renowned photographer Josef Koudelka turns to a divided landscape.
In São Paulo, an exhibition explores the global reach of modern Brazilian photography.
From the London Blitz to Hitler’s apartment, Lee Miller captured some of the most audacious images of World War II.
From Kurt Klagsbrunn, a midcentury vision of Brazil’s most photogenic city.
At the Art Institute of Chicago, three artists provoke timely questions about race and sexuality.
From the rush of Niagara Falls to Elizabeth Taylor’s bedroom, a chronicler of American life presents two concurrent exhibitions.
The legendary photographer’s retrospective is here today, gone tomorrow.
With provocative self-portraits from the 1970s, a pioneer of Body Art makes his New York debut.
Renowned for his vivacious snapshots of friends and family, a new exhibition in Amsterdam showcases the early color photographs of a bon vivant.
At a seventeenth-century villa in Kyoto, a young photographer merged modernist vision with exquisite design. Thirty years later, he returned for a second look.
With the new season in full swing, Aperture’s editors select five must-see photography exhibitions on view or opening soon in New York City.
Two Paris museums put women photographers in the spotlight. But are gender-specific exhibitions relevant today?
The Museum of Modern Art’s New Photography exhibition considers contemporary image-making in an increasingly globalized yet formless world.
Zoë Lescaze on Jeff Wall’s exhibition at Marian Goodman Gallery in New York.
In a new photography exhibition at the Guggenheim, words and text take center stage.
Joseph Gergel reports on the tenth edition of Rencontres de Bamako, West Africa’s venerable photography festival.
A new exhibition at Salon 94 in New York brings to light Gordon Parks’s long-lost photographs from a breakthrough 1956 Life photoessay.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.