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Abdul Hamid Kanu Jr.’s images of daily life transform a West African city into its own poetic universe.
Strachan speaks of his work in terms of a West African street festival where dance, poetry, music, and the performing arts are jumbled together in an exuberant whole.
In 1977, when the photographer Marilyn Nance traveled to Nigeria for FESTAC, she discovered a euphoric reunion of the African Diaspora.
The acclaimed photographer pushes self-portraiture into new realms of gender-bending theatricality.
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An essential look at the vital photography scene of South Korea’s capital.