Beginning in the late 1930s, Van Leo made hundreds of dazzling and uncanny self-portraits. What does his archive tell us about the mysteries of identity?
Buck Ellison creates deliberately artificial depictions of wealth and aspiration, crafted with the precision of commercial shoots.
Are fashion photographers responsible for producing truthful images?
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.