In her Chinatown loft, Kunié Sugiura presses conventional boundaries of photography and painting.
In 1977, when the photographer Marilyn Nance traveled to Nigeria for FESTAC, she discovered a euphoric reunion of the African Diaspora.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.