Handmade or photocopied, zines operate outside of traditional publishing networks—and counter the preciousness of the print.
In two recent series, the photographer references fragments of antiquity, pulling the past into the present.
Syjuco’s rigorous photographs show how interrogating institutional collections can be a potent tool in decolonizing American history.
In the late 1960s, Parks chronicled the young activist organizing voters, speaking at rallies, and advocating for Black self-determination.
Qiana Mestrich’s vintage pictures of Black women at work—including her own mother—show the role women of color play in the workplace.
The creative director of Editorial RM has collaborated with Latin America’s most influential photographers. But what makes a photobook a work of art?
The renowned fashion photographer’s previously unseen experimental collages tell the story of a fictional designer who disappears at the height of her career.
In his collaborative multimedia project “The Repros,” Jojo Gronostay poses a timely critique of clothing brands, global trade, and neocolonialism.
The newsmagazine’s iconic and influential photo-essays were a collective effort. For contemporary artists, they’re rich territory for the interrogation of print media.
In an exclusive interview, the influential designer speaks about her artistic collaborations with Liz Johnson Artur, Tyler Mitchell, and Paul Mpagi Sepuya—and how she uses images to salute the past and imagine the future.
Aperture’s fall issue, “Arrhythmic Mythic Ra,” refracts themes of family, social history, and the astrophysical through the eyes of guest editor Deana Lawson, one of the most compelling photographers working today.