In the 1970s, Smith immersed herself in jazz music, producing images with her signature poetic blur—and exploring what Tate and Jafa call the “maroon fugitivity” of Black postmodern life.
In two recent films, Kahlil Joseph and Arthur Jafa consider the poetics of African American life.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.