In the male body and the physical world, an unexpected seduction.
Constructing sets that look functional but are intentionally useless, an artist parodies the seamless illusion of images.
A new exhibition at the MFA, Boston, sheds light on a forgotten photo essay by Gordon Parks from 1950.
Fred Ritchin files a dispatch from Les Rencontres d’Arles.
Prajna Desai reviews A Village in Bengal, an exhibition of Chirodeep Chaudhuri’s photographs at Project 88, Mumbai.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.