New Directions covers from the mid-twentieth century are easy to spot but difficult to describe, often using pictures to describe words rather than the other way around.
In the 1970s, Meadow Muska documented the feminist collectives that offered a new definition of home for hundreds of women.
The photobook is a space of creative potential—and a dedicated site of action.
The question of what makes a photobook “feminist” is entangled with all sorts of creative decisions, as well as worldly ones.
Carmen Winant on feminism, photobooks, and the radical gestures of world-building.
Inspired by Virginia Woolf’s pioneering novel “Orlando,” Aperture’s summer issue presents original photographs and writings that celebrate openness, curiosity, and human possibility.
The artist discusses feminism, photograms, and what it means to “hover” in the world.
Carmen Winant’s archive considers the terrors and pleasures of childbirth.
Are we living in a state of emergency feminism?
An emerging guard of young, female photographers carves out a new brand of feminism.
The Los Angeles–based photographer Zoe Crosher has had quite a big year. Carmen Winant spoke with the artist about her work.
Artist Brian Bress speaks with Carmen Winant about his work.
An essential look at the vital photography scene of South Korea’s capital.