Schneider’s dazzling contribution to the 2026 Venice Biennale transforms a fleeting moment from a Chris Marker film into a monumental installation.
The artist and filmmaker speaks about Imogen Cunningham, Romy Schneider, and why she built a room-size camera.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.