In a series of haunting Polaroids, Ryan Spencer draws upon neo-noir movies set in Los Angeles.
In her latest series, Alex Prager conjures the drama of Golden Age Hollywood.
In her solo exhibition at the Venice Biennale, the Australian photographer spins stories of displacement.
Catherine Gund, Shola Lynch, and Franklin Leonard discuss pioneers of cinema, African American archives, and the definitive films about black experience.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.